The Red Lion

January 19, 2011

I was in Trader Joe's for my regular grocery run on January eighth when I happened to notice the plants they had in the space between the doors, where you'd pick up a handbasket or flyer or crate of Clementines on your way in.  I'd forgotten they sold potted plants in addition to the cut flowers; this being right about the dead of winter here in the northeast gardening isn't at the top of my agenda, although I do have a large sunny deck to fill come the summer.

This amaryllis caught my eye.  I'd had an amaryllis before, and I managed to get that one to bloom a second time quite accidentally after finding the dormant bulb, which had been left under a sink for two years.

January 19, 2011 - 11:08 AM

This was a nice-looking one, too.  Two stalks, both with healthy-looking buds.  For $5.99 I've done worse, so I took it home and set it on a small table in a corner behind a chair where it could get the afternoon sun and the cats would ignore it.  

January 20, 2011

I kept the dirt damp for a week as the buds grew fatter, then moved the table (and wound up rearranging half the furniture) in front of the window, so as to get the sun for most of the day.  This, along with some extra water, proved to be a fortuitous move, since by the 17th the shorter stalk pushed one bell out from its green bud, fell the next day and began opening on the 19th.  This stalk has two trumpets on it; from the progress seen here I should have a good shot of the double flower by Sunday.

January 20, 2011

Setting up these shots was easier than it may seem.  There's no fancy lighting or backgrounds, all I did was raise the blinds a bit more than normal and annoy the cats a bit more than usual with my furniture-moving.  The light is natures own, filtered through the window screen, and the background is the matte black of the flat-screen TV.

January 21, 2011

I did use an assortment of lenses for these shots, the 50mm, 17-40 and 24-105, mostly at f8 or f11 for added depth of field.  Shutter speeds were 1/25 to 1/125, all handheld.  The small aperture, the black background, and the high-key lighting combine to isolate the subject.  This isolation accentuates the intensity of the color and draws the eye into the detail of the image.


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